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Cernit, have you tried it?

October 30, 2008 by Wendy

Back when I heard of it last year I immediately wanted to try it. Then I heard the name again when someone was describing the feel of the Studio by Sculpey clay.(Of course you know I heard of it in a forum somewhere) Back to the subject, I bought a pack of it with another order because I wanted to try it. Well, I’ll let you be the judge, after I tell you that it was soft enough out of the pack to condition by hand, really, by HAND ! But the thing it, it wasn’t the sticky, smooshy, doughy, clay we normally put up with. Wait!! That’s not the best part, the BLACK has some kind of mica or really fine glitter, either way I LOVE it. I don’t know if the other colors have it or not, but I plan on finding out 🙂 } Dare I say it ?} It makes me want to give up my Kato !!!!!??????!!!!! Oh no, where’s my couch. I feel faint! Oh, the funny thing is, I have even tried the Studio by Sculpey clay, yet 🙂 Click on the pictures to see them a little better.   


Do a quick GOOGLE on Cernit, a lot of vendors carry it. Here’s a blurb from one vendor

Cernit Polymer clay is soft and easy to work, right out of the package. No other material will give you the translucence you get with Cernit no. 1 and its tensile strength lets you work with the thinnest imaginable pieces. Cernit no. 1 cures to a porcelain-like finish while Cernit Neon-Light is luminescent in bright, day-glo colors and Cernit Glamour colors are pearlescents. Many shades of color available and all able to be mixed to create still other tones.

I will tell you this, it seems to me that the prices are a little higher than the other clays, but, you get what you pay for, as my granny used to say.

http://www.gigagraphica.com/poly/polyclay.html – This is a website that has some more info on it

See ya’ll next time 🙂

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Comments

  1. ChibiChula says

    December 1, 2010 at 3:34 am

    Cernit was probably the third clay brand I worked with and it spoiled me rotten, lol. Like most people probably did, I started with Sculpey III and quickly moved on to Fimo and then Fimo soft. Once I moved to try Cernit however, I never moved on. I suppose I really need to try Kato and the Studio clay but my hands love the feel of Cernit too much. I will say that the standard colors do tend to darken A LOT once baked so most all of those get mixed with white (buy the big block of white, you’ll need it) but other than that I have zero complaints about this polyclay brand. BTW, I also adore the porcelain-like finish. 😀

  2. Sophia says

    January 16, 2012 at 3:42 pm

    really? I have a box of cernit and to me its REALLY hard to mold. maybe it’d a different version or something but it hurts my hand and I have a really different opinion!

  3. Elaine says

    January 16, 2012 at 8:11 pm

    Hey Sophia! That post is from a few years ago by a previous blogger. I’m with you, I found Cernit to be harder to work with than Premo. I suppose it’s just a matter of what you’re used to!

  4. Laura says

    September 26, 2012 at 11:29 am

    Cernit cures hard, but still pretty flexible like fimo classic and kato. Cernit is great for thinner more delicate pieces. l tried the translucent, which is like super slimy . l leached it and it has messed up the consistency of the clay so l won’t be doing that again.
    l have another block in blue and that was so easy to condition, shape and use. Like premo l get hairline cracks more easily when curing in beads so for me right now cernit is a mixed bag. The color seriously darkens after curing so that made me a bit anxious about buying more it.

  5. Alice says

    October 7, 2012 at 6:39 am

    I usually buy Cernit, the only fail is how hard it is, usually red is very hard and black is impossible… i havent come across very gewy squishy sticky ones, i like Fimo but the transparent ones are a bit too soft.

  6. nistor sterea says

    July 4, 2013 at 1:29 am

    It is an excellent clay for miniatures. I have sculpted some small busts having hights of approx. 2 inches. It keeps even the smallest details (eyes, ears, lips, hair, wrinkles etc.) and you can cut very easily when you have to adjust the face of your bust. I worked for some complicated busts and some times I had to work two weeks for a project and it kept the same quality. One thing very important! I have an improvized oven made by me on my gas burner. This clay is excelent after it is baked. It is shiny a little bit. It seems to have some life inside. Follow the instructions and you will have an excellent bust. I prefer this clay.

  7. Laura says

    December 10, 2013 at 5:42 am

    I find Cernit to be really hard to work with.
    It takes a long time to condition, and then when you try to roll it it’s still very hard, and it get’s crumbly. I absolutely cannot handle the crumbleness! It just rips apart no matter how many times I tried to. Since it’s so rough, imperfections are hard to smooth out.
    The good side is, that it doesn’t leave fingerprints.
    Overall : I would not recommend Cernit to anyone. I bought 10 packs and now I just don’t know how to get rid of them.

  8. Elaine Robitaille says

    December 13, 2013 at 6:29 am

    Hi Laura!

    This post was from a little bit ago – I haven’t had the chance to really play with Cernit but I found the same as you: that it was difficult to condition. And I have an easily available difficult to condition clay already!

Have you read?

DIY Sushi Bowls and Ceramic Chopsticks with Koi Wave Pottery Transfer Paper

If you’ve ever wanted to bring a touch of Japanese artistry to your tableware, this project is the perfect place to start. Using koi wave pottery transfer paper, you can transform plain clay pieces into elegant sushi bowls and matching ceramic chopsticks—handmade, functional, and beautiful.

This beginner-friendly guide will show you how to apply ceramic transfer sheets to create a set that looks store-bought but carries the warmth of handmade craftsmanship.

Materials You’ll Need

  • White stoneware or porcelain clay (cone 5–6 recommended) 
  • Koi wave ceramic pottery transfer paper (as shown above) 
  • Rolling pin or slab roller 
  • Bowl molds (small curved molds or slump molds for sushi bowls) 
  • Wooden chopstick dowels or ceramic chopstick molds 
  • Scissors 
  • Sponge or damp cloth 
  • Rib tool or rubber kidney 
  • Clear glaze 
  • Kiln

Step 1: Prepare Your Clay

  1. For the bowls – Roll out clay slabs about ¼ inch thick. Drape over a bowl mold or press into a slump mold to create your sushi bowl shape. Smooth edges with a damp sponge. 
  2. For the chopsticks – Roll clay into long, even strips (or press into chopstick molds if you have them). Aim for a slim, uniform thickness so they feel comfortable to hold. 

Let all pieces firm up to leather-hard stage—firm but still damp enough to accept transfers.

Step 2: Cut Out the Transfer Designs

Trim sections of the koi wave transfer paper to fit your pieces. For bowls, you can cut circular panels or strips depending on whether you want the design inside, outside, or both. For chopsticks, cut narrow strips of transfer paper that can wrap around each stick.

Tip: Think about placement—the flowing wave design looks especially striking when it wraps around curved surfaces.

Step 3: Apply the Transfer Paper

  1. Place the transfer sheet design-side down on the leather-hard clay. 
  2. Lightly dampen the back of the paper with a sponge until it darkens and sticks. 
  3. Smooth gently with a rib tool to ensure full contact. 
  4. Carefully peel back the paper to reveal the koi wave design. 

Repeat until all bowls and chopsticks are decorated.

Step 4: Dry and Bisque Fire

Allow all pieces to dry completely. Bisque fire according to your clay’s temperature guidelines (usually cone 04 for bisque). This firing will lock in the koi wave design.

Step 5: Glaze and Final Fire

Brush or dip in a clear glaze to seal the transfers, bringing out the rich blue detail while keeping the white clay background crisp. Fire to your glaze cone temperature (typically cone 5–6).

The Finished Set

You’ll have a handmade sushi set featuring:

  • Mini sushi bowls – perfect for soy sauce, dipping, or small side dishes. 
  • Matching ceramic chopsticks – elegant and reusable, finished with koi wave patterns. 

Tips

  • Keep chopsticks uniform in thickness so they balance well in use. 
  • Test the transfer on a scrap piece first to gauge how much water is needed. 
  • Try mixing placement—inside bowl only vs. outside vs. full wrap—for variety. 
  • Consider making a full set: 4 bowls + 4 pairs of chopsticks for a complete handmade sushi dining experience. 

This koi wave pattern brings both serenity and elegance to your handmade ceramics. The deep blue waves paired with koi fish designs make each piece feel timeless—perfect for special meals, gifting, or even selling as artisan tableware.

Creating your own sushi set allows you to blend functionality with artistry—every bite of sushi becomes part of a beautiful, handmade ritual.

 

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