Polymer Clay

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Artist Spotlight: Emma Ralph

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claricebeadcloseup.jpgUK artist Emma Ralph has branched off into many mediums in her beadmaking explorations over the years, but she is still best known for her work in polymer clay.  Collected by jewelry designers around the world, Emma’s work has appeared in numerous publications and in her own polymer clay books, Get Creative with Polymer Clay and Step by Step Polymer Clay in a Day. 

In today’s artist spotlight Emma shares a little bit about her creative journey and inspiration.

What was your first polymer clay project?

I first used Fimo when I was a kid, around 8 or 9 years old. I used it to make a brooch, wrapping some black clay around a “bouquet” of beads on headpins. It looked quite funky as it happens! I must re-create that project one day. But I didn’t really start to use Fimo in earnest until my teens when I started to use it to make beads.

Besides a pasta machine, what polymer clay tool can’t you live without? Wooden toothpicks are my most used tool I think. I use them for piercing beads, supporting beads if I am varnishing them and so on. I also would have a hard time living without my tissue blades and my Kato marxit tool!

What inspires your polymer clay creations?

I have always been inspired by art, craft and the history of design. So really, living in the UK its hard to find something that doesn’t inspire you creatively. With polymer clay though, it is colour that does it for me. I find clay such a perfect medium to explore colour that really I can’t see beyond that these days. My beads are all about playing one colour against another – I never seem to get bored and find myself dreaming up the perfect “Holy Grail” colour combinations!

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Would you share a color recipe with us?

I love to mix custom colours to use as the base of my beads or as canework accents. Particularly I like to mix my colours with a fleshtone base – it creates the most wonderful muted colours. Another favorite trick is to mix a touch of a colour’s complementary colour in with it. It somehow breathes a bit of life and soul into the colour. Try mixing just a touch of orange into apple green – delicious! Just like the leaves of a beech tree in Spring.

You can view more of Emma’s beautiful work on her website.

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[tags]polymer clay, beads, art beads, Emma Ralph, jewelry[/tags]

Next Polymer Clay Idea:

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DIY Pottery Clay Doily Platter with Pink Speckled Glaze

There’s something special about combining old traditions with modern design. I’ve always adored the stack of vintage doilies handed down from my grandmother, but since lace doesn’t exactly suit my home aesthetic, I started experimenting with ways to repurpose their beautiful patterns in clay. That’s how I ended up creating this doily pottery platter—a simple slab of clay transformed into a textured serving dish with the help of lace, white clay, and a soft pink speckled glaze.

The result is a handmade ceramic platter that looks both timeless and contemporary, perfect for styling on a coffee table, serving treats, or simply displaying as a piece of art.

Materials You’ll Need

  • White pottery clay (stoneware or porcelain recommended)

  • Rolling pin

  • Crochet doily (cotton lace works best)

  • Sharp knife or clay cutter

  • Oval or rectangular template (a cutting board, tray, or paper template works well)

  • Sponge and water

  • Plastic wrap

  • Kiln access (or a local pottery studio firing service)

  • White glaze

  • Pink speckled glaze (or white glaze with pink oxide/pigment speckles)

Step-by-Step Tutorial

Step 1: Roll Out the Clay

Roll your clay slab to about 1/4 inch thick. Keep it even and wide enough to cut an oval platter shape.

Step 2: Press the Doily

Lay your crochet doily flat across the clay. Use the rolling pin to firmly press the pattern into the surface. Lift it carefully to reveal the intricate lace design imprinted into the clay.

Tip: Dust the doily lightly with cornstarch if it tends to stick.

Step 3: Cut the Platter Shape

Using your knife and a template, cut around the clay to form an oval platter shape. Smooth the edges with your fingers or a damp sponge.

Step 4: Lift and Shape the Platter

For a slightly raised platter, drape the clay gently over a shallow mold (like a plate or tray lined with plastic wrap). If you prefer a flat serving dish, leave it as-is on your board.

Step 5: Let It Dry

Allow the platter to dry until leather-hard. Refine the edges with a sponge, smoothing away any rough spots. Once it reaches bone dry, it’s ready for bisque firing.

Step 6: Glaze and Fire

After the first firing, apply a coat of white glaze over the entire platter. Then lightly layer on a pink speckled glaze (you can also achieve this by flicking pink oxide pigment into a clear glaze). The pink speckles add a playful, modern twist while still allowing the lace pattern to shine through. Fire again according to your glaze instructions.

Styling Your Finished Platter

This platter is both practical and beautiful. You can:

  • Use it as a serving dish for cakes, cookies, or fruit.

  • Style it on a coffee table with candles or trinkets.

  • Display it as wall art by adding a plate hanger.

  • Gift it as a keepsake—perfect for Mother’s Day, weddings, or housewarmings.

Every platter I make carries the memory of my grandmother’s doilies, but in a form that feels modern and at home with my style. The pink speckled glaze gives it a playful softness, while the lace impression keeps that touch of handmade tradition alive. It’s proof that old textiles can inspire something completely fresh when reimagined in clay.