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Lindly Haunani – Artist Spotlight

September 17, 2007 by heather powers

lhaunani4-copy.JPGPolymer clay pioneer Lindly Haunani has been teaching across the country for over 10 years, exploring the endless possibilities of this versatile medium.  A founding member of the National Polymer Clay Guild, Lindly’s work has recently appeared in Ornament magazine and on the cover of the Crafts Report. I want to thank Lindly for taking time out of her busy schedule to share a little bit about her creative process.

What was your first polymer clay project?

My very first polymer clay project was a watermelon cane brooch. I was inspired by a brooch I had purchased at The National History Museum that has been made by CityzenCane ( Steven Ford and David Forlano). After closer inspection of their piece, I guessed that they were using a pasta machine to roll their sheets of color blends and then stack them. I bought a few packages of FIMO at a local doll house store and “borrowed” my Atlas pasta machine from my kitchen where I had been making layered pastas using fresh herbs.

In 1988 there was little information available on polymer clay, so when I saw that Kathleen Dustin was offering a polymer clay bead making class at the Art League School at the Torpedo Factory in Alexandria, Virginia I signed up. Initially I didn’t want to learn how to make beads and was more interested in making sheets of flat surface designs…. after taking her workshop I made over 1000 beads in a couple of weeks!

Besides a pasta machine, what polymer clay tool can’t you live without?

A very sharp, honed Thomas Scientific tissue blade. I have yet to find another blade that holds an edge so well, bends handily and can be resharpened.  Polymerclayexpress.com

What inspires your polymer clay creations?

Everything, especially food. Many of my “best” ideas have come up when I am exploring options by making multiple versions of a project that I am currently working on. There are times when I will make something say fifty times, walk away and then return with dozens of ideas that elaborate on the same theme. lhaunani2-copy.JPG

Would you share a color recipe with us?

My basic color palette uses Cadmium Yellow, Fuchsia red and Ultramarine blue.  One of my all time favorite color mixes is 1 part Fuchsia red, 1 part neon pink, 1 part white and 4 parts Ultramarine. Saturated blue-violet makes my heart sing, but the color I find myself mixing the most is a yellow green which is 7 parts cadmium yellow, 1 part Ultramarine with a small smidgen of Fuchsia.

Visit Lindly’s website and blog for more inspiration and information on her work.  Lindly’s blog is new, but already brimming with good food for thought, definitely one to bookmark!

[tags]polymer clay, crafts, artists, lindly haunani[/tags]

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Comments

  1. Joan Huddleston says

    September 21, 2007 at 8:38 am

    Those beads are fab. I am just starting to learn. Thanks for the info on Lindly.

Have you read?

DIY Pottery Clay Doily Platter with Pink Speckled Glaze

There’s something special about combining old traditions with modern design. I’ve always adored the stack of vintage doilies handed down from my grandmother, but since lace doesn’t exactly suit my home aesthetic, I started experimenting with ways to repurpose their beautiful patterns in clay. That’s how I ended up creating this doily pottery platter—a simple slab of clay transformed into a textured serving dish with the help of lace, white clay, and a soft pink speckled glaze.

The result is a handmade ceramic platter that looks both timeless and contemporary, perfect for styling on a coffee table, serving treats, or simply displaying as a piece of art.

Materials You’ll Need

  • White pottery clay (stoneware or porcelain recommended)

  • Rolling pin

  • Crochet doily (cotton lace works best)

  • Sharp knife or clay cutter

  • Oval or rectangular template (a cutting board, tray, or paper template works well)

  • Sponge and water

  • Plastic wrap

  • Kiln access (or a local pottery studio firing service)

  • White glaze

  • Pink speckled glaze (or white glaze with pink oxide/pigment speckles)

Step-by-Step Tutorial

Step 1: Roll Out the Clay

Roll your clay slab to about 1/4 inch thick. Keep it even and wide enough to cut an oval platter shape.

Step 2: Press the Doily

Lay your crochet doily flat across the clay. Use the rolling pin to firmly press the pattern into the surface. Lift it carefully to reveal the intricate lace design imprinted into the clay.

Tip: Dust the doily lightly with cornstarch if it tends to stick.

Step 3: Cut the Platter Shape

Using your knife and a template, cut around the clay to form an oval platter shape. Smooth the edges with your fingers or a damp sponge.

Step 4: Lift and Shape the Platter

For a slightly raised platter, drape the clay gently over a shallow mold (like a plate or tray lined with plastic wrap). If you prefer a flat serving dish, leave it as-is on your board.

Step 5: Let It Dry

Allow the platter to dry until leather-hard. Refine the edges with a sponge, smoothing away any rough spots. Once it reaches bone dry, it’s ready for bisque firing.

Step 6: Glaze and Fire

After the first firing, apply a coat of white glaze over the entire platter. Then lightly layer on a pink speckled glaze (you can also achieve this by flicking pink oxide pigment into a clear glaze). The pink speckles add a playful, modern twist while still allowing the lace pattern to shine through. Fire again according to your glaze instructions.

Styling Your Finished Platter

This platter is both practical and beautiful. You can:

  • Use it as a serving dish for cakes, cookies, or fruit.

  • Style it on a coffee table with candles or trinkets.

  • Display it as wall art by adding a plate hanger.

  • Gift it as a keepsake—perfect for Mother’s Day, weddings, or housewarmings.

Every platter I make carries the memory of my grandmother’s doilies, but in a form that feels modern and at home with my style. The pink speckled glaze gives it a playful softness, while the lace impression keeps that touch of handmade tradition alive. It’s proof that old textiles can inspire something completely fresh when reimagined in clay.

 

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