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Faux Crystal Jade in Polymer Clay

April 20, 2017 by Elaine Robitaille

The basic recipe for a faux jade / aventurine in polymer clay is translucent clay mixed with a small amount of green (or several greens). Add a little bit of dried herbs, mica powders, paints, or what not if you want inclusions or matrix patterns. Form your pieces without mixing up the colours too much. Cure, sand, sand some more, and buff like a mad woman. Joe Patouille’s YouTube tutorial is a nice step through of it.

 

 

 

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Comments

  1. Rosanne Garrett says

    April 20, 2017 at 7:20 am

    Wish you had posted a video in English

  2. Elaine Robitaille says

    April 20, 2017 at 11:16 am

    Roseanne there’s very few actual words in the video and the pictures are pretty explanatory, promise!

  3. Salty says

    June 6, 2017 at 9:33 am

    Soooooo…. does it automatically go from a white color with little green flecks to looking like actual jade? Or was there a step missing? Also… what were the green flecks? Honestly, I’m no closer to creating that than I was four minutes ago…

  4. Elaine Robitaille says

    June 7, 2017 at 12:00 am

    Translucent clay – and this is mostly translucent clay with a small amount of scraped in colour – always looks kind of milky to me.

    I’d make a tiny test piece to see if there was enough green colouring before doing a larger batch because I’m always tweaking recipes.

  5. Dongmei Cao says

    November 1, 2018 at 10:12 am

    Hi, what do you use for the green color, scraped pastel, scraped crayons, food color? Thanks.

  6. Elaine Robitaille says

    November 3, 2018 at 12:16 am

    The video uses pastel but I would use – have used – alcohol inks and also small amounts of green clay. You get a mix of cloudiness then. If you want the least cloudiness, go for the alcohol inks.

Have you read?

Clay Studio Series – YouTube Video Review: What type of clay should I use?

What Type of Clay Should I Use? Comparing Three Stoneware Bodies

If there’s one question that potters—especially beginners—ask over and over again, it’s this: “What type of clay should I use?” With so many options available, from smooth white bodies to gritty, speckled stonewares, the choice can feel overwhelming. In this Clay Studio Series feature, we’re reviewing a video that takes the guesswork out by throwing, trimming, and comparing three distinct stoneware clays side by side.

Why This Video Stands Out

Instead of just talking about clay in theory, the potter works directly with three clay bodies and shows the differences in real time. You can see how each clay reacts on the wheel, how it trims when leather-hard, and what kinds of issues may arise depending on the body you choose. This hands-on comparison makes it far easier to understand than simply reading product labels.

The video also tackles a common curiosity: the pink-toned ES80 stoneware, often admired for its warm coloring. The creator points out that this clay is manufactured for reduction firing and won’t give the same results in oxidation, a detail that often gets overlooked by beginners.

Key Lessons for Beginners

  • Not All Clay is Equal: Some clay bodies are far more forgiving for new potters, while others require more experience to manage.

  • Know Your Firing Method: Certain clays, like ES80, are formulated specifically for reduction kilns. Using them in an electric oxidation kiln may leave you disappointed.

  • Texture & Plasticity Matter: Smooth clays can be easier to throw but may slump when trimming. Grittier bodies hold structure but can be harder on your hands.

  • There’s No Single “Best” Clay: Each clay has its pros and cons — the trick is matching your choice to your skill level and the project you have in mind.

Why We Recommend Watching

For beginners, choosing the right clay can mean the difference between frustration and success. This video demystifies the process by giving a clear visual comparison of three popular stoneware options. By the end, you’ll have a better idea of what qualities to look for in a clay body and which ones might fit your needs best.

For intermediate and advanced potters, the insights are still valuable. Even if you’ve been working with one clay for years, seeing how others handle could inspire you to experiment with something new.

This review proves that clay choice is less about finding a universal “best” and more about learning what works for you. Whether you want smooth, easy-to-handle clay for your first mugs or a robust, grogged body for sculptural pieces, this video is a fantastic guide to help you make a confident decision.

Watch the full video here: What Type of Clay Should I Use?

 

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