
If you’ve been working with pottery for a while, you’ll know the heartbreak of opening a kiln only to discover your dream glaze turned out… well, not so dreamy. Sometimes the bottle swatch just doesn’t tell the full story. That’s why I started a little tradition in my studio: every time I get a new glaze, I make a tiny clay tag and glaze it up.
It’s like a personal “glaze library” I can flip through at a glance. Trust me, it has saved me from more than a few disappointing projects. And between you and me—no, I don’t think I have too many glazes… just not enough shelves!
Here’s how you can make your own glaze samples:
What You’ll Need
- Scrap clay (stoneware or whatever you usually work with)
- Small cookie cutters (hearts, circles, squares—whatever makes you happy)
- Needle tool or skewer for making holes
- Twine or wire for hanging
- Your chosen glazes
- A kiln for firing
Step-by-Step: Glaze Sample Tags
Step 1: Roll Out Your Clay
Use leftover bits from other projects. Roll them to about ¼ inch thickness—sturdy enough to survive handling, but not too chunky.
Step 2: Cut Shapes
Cut out small, repeatable shapes. I love little hearts (see mine above!), but you can also use squares or rectangles for a more “library card” feel.
Step 3: Add Texture (Optional)
Press lace, stamps, or natural textures into a few of your tags. Some glazes break beautifully over texture, so this gives you an extra peek at how the glaze behaves.
Step 4: Punch a Hole
Use a needle tool or skewer to poke a hole near the top. This lets you hang them later on twine or wire for easy storage and viewing.
Step 5: Bisque Fire
Dry thoroughly and bisque fire as usual.
Step 6: Glaze Time!
Every time you open a fresh bottle of glaze, brush or dip one of your tags. I usually cover the front fully and leave a little bare clay at the back so I can see how the glaze interacts.
Step 7: Final Fire
Fire according to your glaze’s instructions.
Display & Storage Ideas
- On a ring: String them onto a keyring or binder ring so you can flip through like paint swatches.
- On twine: Hang them on a hook or pegboard in your studio—beautiful and useful.
- By color family: Organize your glazes into rainbow order for quick inspiration.
Why This Works Wonders
- You see exactly how the glaze fires on your clay body, in your kiln atmosphere.
- Texture vs. smooth results are visible side by side.
- No more guessing or relying on glossy catalogue photos.
And honestly, making these little tags is kind of addictive. Each new glaze feels like adding a new charm to my pottery bracelet of colors.
