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Book Review: Ancient Modern Polymer Clay and Wire Jewelry

May 2, 2009 by Julie Leir-VanSickle

by Ronna Sarvas Weltman
by Ronna Sarvas Weltman

I was recently lucky enough to get a sneak peek at the new book  Ancient Modern; Polymer Clay and Wire Jewelry by Ronna Sarvas Weltman, being published by Interweave press. The book can be pre-ordered here.

Featuring artistic, bold, and organic jewelry, the book is a joy for sheer eye-candy value.  Ronna gives an excellent overview of the basic techniques for working with both polymer clay and wire,  and she also gently reminds the reader  that practice is the only true way to build the skills required for working with both materials.  I found the section on designing jewelry while keeping in mind the physics of how it would hang on the body especially useful.

After the technique sections, there follows fifteen projects and a gallery of lovely work.  A couple of instructions are repeated throughout the book, for example several projects require a zebra cane and the instructions are reprinted each time.  This may be useful if you are following the projects exactly,  as you will not need to go back and find the instructions in another section, but not really necessary if like me, you tend to look for techniques to add to your arsenal,  and not projects.   Ronna paid attention to the little details like filing wire ends and tucking them in so that even the very dramatic and bold jewelry would remain comfortable and wearable.

Overall, I found the book to be a delight, there were several texturing and antiquing ideas that I am excited to try in my own projects,  as well as some new (to me) bead shapes with which I am planning to experiment.  It has also reminded me what a great compliment to clay wire makes, and inspired me to pull out my wire once again!

P.S.:  Stay tuned to the blog for the next week for two giveaways!

[tags]interweave press, Ancient Modern, Polymer Clay and Wire Jewelry, Ronna Sarvas Weltman, polymer clay book, book review[/tags]

Next Polymer Clay Idea:

  • POP! – Perspectives on Polymer
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Comments

  1. Moe says

    May 22, 2009 at 10:09 am

    ME! ME! Jules! Moe wants this! 😀 Really, I do! You’re a sweetie for doing this give away. I will try to be magnanimous of I don’t win. 🙂 Really. Thanks for doing a lovely thing for all of us! xoxo, moe

  2. Mary Kaye says

    May 30, 2009 at 8:44 pm

    Didn’t this blog post have a bunch of responses (including one from me) a week ago? Where’d they all go?

  3. Garlinda Price says

    June 1, 2009 at 5:48 am

    I was able to see this book online and take a peek inside some of the pages. The artist work is beautiful and looks as though it will be a very inpiring book for anyone with a creative block or just in need of something beautiful to look at while they create. Thank you for entering all of us into your contest and for the work you do on the site, I enjoy it. By the way I design jewelry out of polymer clay and semi-precious stones.

Have you read?

POP! – Perspectives on Polymer

POP! – Perspectives on Polymer

Contemporary Craft is thrilled to be hosting POP! – Perspectives on Polymer June 25-29, 2022.  A five-day celebration of contemporary work in polymer, the event will have something for everyone who loves polymer clay.  POP! will feature four workshops along with virtual talks by some of the best polymer artists in the country, an exhibition of small works in polymer, and a curated feature in the Store. The opening reception will be held on Saturday, June 25, 6-8 PM, and will be free and open to the public.

POP!’s focus on workshops and the materiality of polymer makes this boutique event more than just a conference. Each participating artist was selected for their unique perspectives on polymer and the exciting ways they are moving the medium forward. The featured instructor for the event is Jeffrey Lloyd Dever, whose pioneering techniques in polymer have made him one of the most respected artists in the field. His jewelry and sculptural objects have been shown in many national invitational exhibitions, and his works are represented in numerous private collections, galleries and museums.

Read more here 

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